德國留聲機唱片公司（DG，Deutsche Grammophon）最近正在慶祝他們創立的120週年，除了一系列的活動之外，還特別推出了121CD+1BD的120週年紀念套裝，還製作了開箱影片，我們就先來看一看影片。
# f/ ` v6 q- |! m$ e2 ]
* L/ p7 g& j; I' @- e4 T
DG120 - The Anniversary Edition - Official Unboxing Video9 d4 F, C7 L0 a% i; E/ ~- `' L
5 v/ k( Y4 p) a5 c) o6 E
2 i/ Q0 a! I8 v: J: g6 ?# [
- ~7 E* ^- H. a# f首先看到的是一本厚達220頁的專書，除了介紹DG的歷史之外，裡面還有12篇搭配CD的專文，分別是管弦樂（27張CD）、協奏曲（22張CD）、鋼琴獨奏（17張CD）、室內樂（11張CD）、歌劇（11張CD）、宗教音樂（5張CD）、藝術歌曲（8張CD）、ARCHIV出版品（6張CD）、POLYDOR出版品（3張CD）、前衛音樂（4張CD）、新古典（3張CD）、口語（3張CD）等，專書內還有許多珍貴照片。
. U: X8 Q v: [/ \ s
) j9 C) ]& ~3 |) K3 [2 A$ m所有專輯皆採用原始封面設計之紙盒包裝，令人驚喜的是追加收錄一張未來發行的選曲CD「The years to come」與一張Blu-ray Audio，收錄的是卡拉揚指揮的華格納「指環」全曲。Bonus Content還有六張DG經典的唱片封面明信片與五張歷史文件的印刷品。
3 J" ^0 ~" _; A. B9 ?
9 a, D7 g( C h1 ^對古典樂迷來說，可能會發現這盒套裝中大部份的CD都已經有了，不過還是有許多張CD是首度全球發行，加上DG目前正在進行的蟲膠數位化計畫（The Shellac Project），有部份也收錄在此一紀念套裝中，加上精美製作的專書，多少還是有收藏價值。
- Q. z( _# ?2 H, v ^8 D/ Q5 Y3 B K$ q4 X1 q% Q. d
/ G( C: v }+ [. e' Z N1 I3 k* [. H
: G& W* ~( b. t# D( B* G$ k+ D1898年六月，DG公司由留聲機圓形唱盤的發行人艾彌爾貝林納（Emile Berliner）與其弟約瑟夫在漢諾威創立。當時聲音的紀錄以愛迪生所發明的圓筒留聲機為主要方式，貝林納兄弟發明的圓盤唱片留聲機比起笨重的圓筒式在操作上更為方便及輕巧，短短不到二年時間，1900年貝林納的圓盤唱片留聲機的銷售量便超過了圓筒式留聲機，取得了商業上的巨大成功。
# N5 l" B0 J( m) e, S2 U
R' k4 C2 B5 G& h4 i1 o
1910年，DG推出最早的管弦樂唱片，巴克豪斯演奏的「葛利格鋼琴協奏曲」開頭片段，直到1929年艾彌爾過世時，DG的唱片年產量便已達到近千萬張。
$ G* J) V {/ l7 K/ Q! M
! i: H, e8 z, d) j i) U
! o( h& ~" w: U3 x% ~
$ d* C4 W5 |. i% w自創立以來，DG一直就是使用最新錄音科技的先驅者，1962年卡拉揚推出第一套立體聲貝多芬交響曲全集、1979年發行第一張數位唱片（克萊曼演奏「柴可夫斯基小提琴協奏曲」)，多年下來，數位音樂的發展早已超越我們所熟悉的傳統播放方式，DG近年也積極推廣線上下載與串流等新型態聆聽方式，持續不斷的推廣古典音樂。
0 D: [$ w1 C; H! s* I
8 S# t6 z j* O這次DG慶祝120週年的活動網頁上也提供Google Play、Spotify、Apple Music、Deezer等多家串流媒體的播放清單（Playlist），讓「黃標」傳奇繼續發光發熱。
+ ^9 H }3 b1 V' \, r& _' n
" X! L& J6 D! E" N
DG120週年紀念網頁：https://dg120.info/* A* B( h+ D$ R6 B
( f# a6 G( e; w8 Z
+ r! e v4 B3 M5 b# R2 L
2 j* O8 }( _, X0 j9 s
! c% }2 Z. ?6 t9 O2 r: A
& J H2 ]/ V1 L# J
DG 120所收錄之CD曲目：
+ T: h3 w9 `9 H% lCD 1
% S9 Y' n# m2 g9 ZEarly Orchestral Recordings I
- V& X4 V% R% p# o7 V
- Arthur Nikisch / Alfred Hertz
- c R" B _1 w; _3 g9 j. S1 P3 I3 i b
CD 2
; X' X5 F! p3 R6 ~- O, n1 x' z y
Early Orchestral Recordings II
E: j0 _/ Y1 s: q: @ k- Erich Kleiber, Otto Klemperer, Richard Strauss, Bruno Walter
& w0 i: g( ?6 Z# d) k) F6 a. ?- G2 l6 h: W
CD 3
0 S0 U9 M2 E+ X6 N' b$ c. WEarly Orchestral Recordings III
9 z; {. |! A. h; E% M8 w$ M+ n
- Wilhelm Furtwängler, Victor de Sabata, Jascha Horenstein, Alois Melichar, Hans Pfitzner
4 R2 f. ^% S: |* q: R- A
: V& S0 o5 W6 j3 n1 g" QCD 4
( j6 V @$ ?9 ^- N
Early Orchestral Recordings IV
2 F' r1 O1 ^0 M% S9 T- Max Fiedler, Hidemaro Konoye, Herbert von Karajan, R Strauss, Paul van Kempen
9 w) ^: j. L2 `
& ^, H u" }4 y8 n3 ]$ kCD 5
( c4 ]6 m, W% `+ T5 v5 V# USchubert - Symphony no.9
5 B! K1 g5 n4 j* P! @
Haydn - Symphony no.88
+ [0 M+ M% r2 |- Furtwängler
/ {3 |! t2 R' O: p! @" F3 P! `
7 j4 K' E$ x) f$ z, yCD 6
9 {6 V/ E+ J1 ]/ ZBruckner - Symphony no.9
' L5 p' K4 s. E. T1 q6 i- Eugen Jochum
. l- y' x8 K! x5 `4 x* K) `% C/ D% A) X m8 @
CD 7
4 {0 Y z7 C& G9 \3 G, r* U/ j: BDvořák - Symphony no.9
' _- i5 N, Y3 g' N5 vSmetana - Vltava
( p/ n5 e4 m; @1 }( e. L* Y1 N
Liszt - Les Préludes
0 X8 F" z8 P% A3 Y8 p) E6 F* A9 a8 V- Ferenc Fricsay
- X6 x; Z2 C; n0 @
5 P0 h) d, u( {CD 8
- ^' V) B2 k5 W0 h
Tchaikovsky - Symphony no.6 “Pathétique”
3 Z$ u2 O) b# f$ l0 c- Evgeny Mravinsky
! `2 I9 b5 g4 a d# q& S+ P9 u4 k6 ^" j# _2 K3 K9 I) ^
CD 9
; j8 e# C0 M. S$ e
Mozart - Symphonies nos. 39-41
9 v' J; B9 a( [/ B' P5 p
- Karl Böhm
/ a0 t }# N2 |7 Z" z9 H5 _# k4 S S0 K% p: }6 ^
CD 10
! S$ c0 p- R+ M/ w5 j; R) o2 aBerlioz - Symphonie fantastique
7 a3 n* q5 c! @$ b) ]% `" A
Cherubini - Anacréon Overture
9 [2 L' p: ~- _
- Igor Markevich
4 I" I) x9 l3 `: m5 Z+ _3 G+ o' H# ^8 {+ t- p
CD 11
; T, q) r1 }+ I: `* ^, TBeethoven - Symphony no.9, Coriolan Overture
( z$ A& E2 |/ Q6 X+ W4 l0 K
- Karajan
6 G+ L' A* o: y# x. H
3 @/ v5 f3 }. ^/ \0 B2 h) W* HCD 12
5 W0 B% e5 c- W, B. b* p/ `3 I3 R
Mahler - Symphony no.1, Lieder eines fahrenden Gesellen
. w8 o6 m; g! M2 q- Rafael Kubelík
+ V0 X+ d. K: i1 M: d& D
. E6 ?$ R* [; C& aCD 13
: t2 B2 N* u6 B% qHolst - The Planets
; B6 T/ |, [6 R0 q: n3 DR Strauss - Also sprach Zarathustra
1 s' o. _# b% }7 z& R- William Steinberg
0 u; `" \8 L, z" U1 F" i/ E+ ~
" L& D, l) T' C/ i. d8 n9 O' UCD 14
! j; L# H- M) T6 C' O; {$ m
Beethoven - Symphonies nos. 5 & 7
6 ?/ K& @* S" S$ W F U2 _2 X% V- Carlos Kleiber
w/ \$ _& J t+ {9 E6 u2 n; k v) a: J
CD 15
6 v% L3 U6 o1 x J, O8 D
Saint-Saëns - Symphony no.3 "Organ Symphony"
: p. P5 e& h8 T0 ~$ \& X$ r& ?
- Daniel Barenboim
5 }7 ]. b- j. ^# y' e j8 K. g8 { m7 Z
CD 16
9 W$ ?8 s9 C8 G) s. Q
Debussy - La Mer
+ v7 x1 t( l4 Q. fRavel - Ma mère l'Oye, Rapsodie espagnole
. q# Q2 l( w) A$ I0 _% @- Carlo Maria Giulini
8 [: v$ l/ c5 t: \5 A
0 V# K" a9 w% _8 h* |CD 17
9 t% P! L: E( J0 V% NR Strauss - Eine Alpensinfonie
2 j G- u- Z1 ]* t! y I1 T$ E; S- Karajan
, x! z% c+ n" D J
3 @& U4 w7 l% lCD 18
9 e2 X& z" U" {, Z1 d6 ]0 k7 R( d8 mMahler - Symphony no.5
9 ^( B9 Y4 O% K! z2 d3 u8 `3 x- h- Leonard Bernstein
& q. e7 q8 F1 F( h! W q5 O1 U ?" k
CD 19
4 t4 c, v7 | J
Copland - Appalachian Spring
( H5 a$ ~# F. d' C- @( ]4 \0 x
- Orpheus Chamber Orchestra
0 V! Q Y. [0 `& c) m5 p" z
' d5 ]( _, K) g2 k( @5 w- YCD 20
2 C+ k+ }) Q) t; |1 K. d
Messiaen - Turangalîla-Symphonie
! ~) D( @% b: J- }; D' W- Myung-whun Chung
, R2 J6 I: m! Y. J
! R6 j& g0 O0 N9 ^# w) Q
CD 21
5 m# D" G/ t. w/ Z, MStravinsky - Le Sacre du printemps, Pétrouchka
2 t( D% o$ T' C/ j: d K# }% Z
- Pierre Boulez
% \ x0 ]9 s, u* M6 d
7 {. b2 p( }, t6 k( ]( ^3 I
CD 22
! R" C7 a0 Q+ m1 gFranck - Symphony in D minor
- y# i: O: B4 x) Q" v1 T" V
Poulenc - Organ Concerto
% |$ w* f8 U) p* ~- _, Q5 I
- Seiji Ozawa
+ {% ]% L3 C7 a( K/ r- ~+ a# _% s8 Y( P; E2 Y5 [
CD 23
, G/ m7 z' Z* i5 [) p$ v1 XWagner - Orchestral Music
/ F" A8 r" b9 G
- Claudio Abbado
8 W' f' t' c' u4 Q- X
1 j( V* W9 p: f3 N- Q# DCD 24
2 ^# A, F- O$ u5 L' e. k
German Overtures
( k3 I' ]' ?7 X3 `
- Christian Thielemann
( D# m& ^8 s: o
& p) [1 ]$ i0 lCD 25
$ H- I, @+ f8 N3 p. C' n6 ^
Mussorgsky - Pictures at an Exhibition
( T) t7 [% |" e- c- [
- Gustavo Dudamel
' g' l1 w! A# i% K9 s1 g
9 ]- D C3 x' y2 j* t7 kCD 26
: ]6 J' J V8 o! h* S% r( H) l$ C2 s# S0 hMendelssohn - Symphonies nos. 4 & 5
Q6 P8 U4 ?- [7 p8 w: Z% `
- Yannick Nézet-Séguin
1 }/ j& ^3 }! _/ `8 H9 o/ i5 H
) R9 }, l+ R$ K
CD 27
+ R9 E% ` s; J8 GBruckner - Symphony no.4 “Romantic”
9 r3 ]; T& }6 S- Andris Nelsons
; C- Q% d. K) p" Q1 [9 F" C. D
CD 28
, U. {* Q" q, Q1 fEarly Concerto Recordings
. ^2 F/ A) o8 i0 W+ {
1 I Z& X; T- `/ g
CD 29
3 O( T# ]9 |. P1 G) @) [7 G5 tRachmaninov - Piano Concerto no.2
+ Z% ^9 k$ |" O/ p
Tchaikovsky - Piano Concerto no.1
# f+ I; l: A& Y# w/ |
- Sviatoslav Richter
) ~' a! n6 |' i) ~1 E" n/ @( o3 O7 s' @9 p* { ~" r2 _$ l
CD 30
; ?5 g! s' H$ F% b6 k8 G2 ]1 U& ]
Saint-Saëns - Cello Concerto no.1
5 F2 I5 s: w3 x9 KLalo - Cello Concerto in D minor
v$ H5 m w6 `- D% Y; |8 g* e- Pierre Fournier
/ a" o: A; |0 R N A8 L
" `% K, g! x( w: n! N3 r
CD 31
* A" W9 `6 W- I1 gBach - Violin Concertos
M* K( [6 |# aBeethoven - Romances
% T' ^- j9 W0 S o1 s2 h9 T& X$ m
- David Oistrakh
8 i% ?3 c. X0 Q
& i* N: t( L) n/ `0 X& [8 ZCD 32
& O9 y6 r/ d8 F% [4 f5 g3 ~
Mozart - Violin Concertos nos. 1 & 2
; u, Z2 @, J5 j4 Y+ z: z& S2 }- Wolfgang Schneiderhan
, x5 m9 A' `3 \2 F: D3 s& C& n/ k- B0 y8 l" v/ v/ I
CD 33
8 E( x3 S- ] r) d, E1 v- n; b
Tchaikovsky - Violin Concerto in D major
7 @" j. F% H. ~) i
Mendelssohn - Violin Concerto in E minor
9 J+ n8 g) ^; k9 x# E0 V* X! r3 |
- Nathan Milstein
9 m3 A* [, t A
9 c* _9 T$ P6 {
CD 34
& U( y& V9 a' B1 z: l& r; J! _Mozart - Piano Concertos nos. 20 & 21
9 M* a \& d; l4 V* @- Friedrich Gulda
7 [0 v/ `0 _4 h* f, D) E1 l `- p/ g q/ `9 ?$ v
CD 35
; g& [0 a; h* r" Y6 B; g- fBoccherini, Tartini, Vivaldi - Cello Concertos
6 A$ s- Q' v3 L5 G# _. ]- Mstislav Rostropovich
; a9 c- l6 l8 ]# R* \/ h$ Z r1 n- m, r9 L5 N+ E
CD 36
: t" d; {4 Z3 M0 X, o$ G- r
Beethoven - Piano Concertos nos. 1 & 3
0 d7 n( k: u* M. ^5 k( H
- Arturo Benedetti Michelangeli
( b% C: P: k: |
, u$ ^1 g6 @1 r* O- qCD 37
( P; e. c6 z: x$ K5 b5 ^( g
Brahms - Piano Concerto no.1
5 C+ \: {# [- x$ {9 A+ O2 T0 z/ ? |
- Maurizio Pollini / Karl Böhm
) M5 [" x6 m. P! C& }6 ?7 ~# c5 q9 c: G
CD 38
7 n+ C) t# e9 X9 s4 |! E$ ]Dvořák - Cello Concerto in B minor
8 {% a4 ?+ b/ ?8 M/ O- ^
Schumann - Cello Concerto in A minor
' ]" ^6 A: W+ a9 b! s. f
- Mischa Maisky
, T8 o1 G- Q8 Z& g
2 D- M! O4 T( n; _CD 39
$ u4 ^7 J- o3 |8 F9 R) k- x( o
Liszt - Piano Concertos nos. 1 & 2, Totentanz
2 a# g# B, w% h2 t" S6 H O8 [- Krystian Zimerman
! B9 o+ e. @# A/ F l5 I) [3 \4 {5 K
CD 40
5 C' b2 B% Q( S8 |& c! q' a, mMozart - Clarinet Concerto in A major, K622
2 [( ~2 A1 B" g" t' ]- Charles Neidich
# v+ C8 f# E' v7 `8 i: g( ?" {' J) T
& p! D6 v* B) X; C$ [1 ]& J/ T
CD 41
1 c: ~1 f8 @8 ]7 C0 R
Prokofiev - Piano Concertos nos. 1 & 3
7 ]2 K0 O9 P4 X3 _+ v1 Q4 m
- Kissin
$ t1 t( t, q0 [+ j3 p# z
2 c4 K4 q; q. g+ q
CD 42
5 R( |9 m( c% R$ r$ @Shostakovich - Piano Concerto no.1, op.35
1 H( H6 b' y0 X' l! S. u% D. x: u Y
Haydn - Piano Concerto in D major, Hob. XVIII/11
5 Y; [% X" q* V, m: C
- Martha Argerich
- r8 ]8 u( U/ C: U! X! y3 S" b
+ f1 ]% E i) V5 e) p2 E6 c4 U, c3 hCD 43
H- C9 p, A+ B7 a1 U4 MBrahms - Violin Concerto in D major
9 P) y( ?' A9 V Y, t0 oSchumann - Fantasy for Violin: fourth movement
2 N, T3 @ i/ u3 Z p
- Anne-Sophie Mutter
; P# A# d4 h8 \: b4 M
* b' n# G* N& [/ |5 {) Z6 Z
CD 44
) s J1 k6 c6 K% C) A5 C0 G ^Beethoven - Chorfantasie
, W: N3 i2 u5 ~0 `8 ?3 dPärt - Credo
( R' N+ R: g) `9 K& Q5 zCorigliano - Fantasia on an Ostinato
2 n3 I, [* V! n% P3 h9 A6 X& t5 S- Hélène Grimaud
" t Y: ^7 r, Q+ c! h5 G
! l0 b- ~% Y& b, J1 \9 qCD 45 “Echoes of time”
* E+ ], k9 r9 q
Shostakovich - Violin Concerto no.1
6 c5 @( n' u2 |+ G, |6 ^; L
Pärt - Spiegel im Spiegel
4 f8 W; s: I4 }/ z% @
- Lisa Batiashvili, HélèneGrimaud
) T6 J8 c, i2 k, E, f& N. O) j A3 o( u3 M% Z% z
CD 46
, j4 b1 j3 V, g- D% DRachmaninov - Piano Concerto no.3
* L& U& L' b5 N3 V' R) a: E" q3 h
Prokofiev - Piano Concerto no.2
9 m" U% n& P- H6 t2 R( n- C- Yuja Wang
D. a( G6 Y y$ N/ }$ Q
3 h( \8 e9 r) YCD 47
Q6 b3 E! |7 g9 r! j: g, o8 LVieuxtemps - Violin Concerto no.4
7 R1 K: f/ u- A
Mozart - Violin Concerto no.5
9 F: [- A |! S- [ e# X# l; X- Hilary Hahn
! m3 X, x" c4 t ?2 p0 o& D1 N
9 C7 `. N n$ n2 w5 {* q0 Q" I- vCD 48
$ j F4 t4 J n# _: b7 E1 m9 U. I. P
Lost and Found (Concertos)
1 c/ j7 d& W& X8 v6 O- _5 m; y- Albrecht Mayer
' u y2 R0 Z- F; P1 |4 W4 D! T
* G% f9 O/ k6 T% K! v
CD 49
% S% j" n, ]$ ~% c* o
Chopin - Piano Sonata no.1, Ballades
$ Z* ^: j& X6 T* T- Seong-Jin Cho
+ @4 @& v: i8 B- F0 m
/ K. W* r0 y4 Q7 i, U% GCD 50
) n, c/ M# u5 V* k1 k
Early Solo Piano Recordings
+ `) e6 O+ X' `. f7 S
$ @) X; \; K6 }
CD 51
; ]! J' v9 h1 dRavel, Bartók
; L* E; ^: J8 y& I. o
- Monique Haas
. K! f2 {7 z( t% S4 n% q# f
& F. p# O, o0 G3 j* jCD 52
3 d0 {% i' S6 I! ]Beethoven - Piano Sonatas: Pathétique, Moonlight, Appassionata, Op.110
8 l( }+ s+ t1 e. S C5 l
- Elly Ney
8 m3 x' [! h" r1 { w# F( Z1 K
( f: a8 E5 i1 w8 ?- c" N; `CD 53
+ ^1 ~* a0 z t4 W. `* F4 l
Schubert - Moments musicaux D780, Impromptus D899 & D935
! p5 k8 O) C7 G- z- Wilhelm Kempff
/ d! w/ i4 I4 i, ]
R9 s4 b! i8 O9 Z8 n/ B! OCD 54
# C$ v5 F! u( N8 Q' b- j4 w/ _
Debussy - Images 1 & 2
; c) A7 c3 V* `+ p8 n8 \: R/ x# t! j
- Michelangeli
' Y9 [2 P, o/ J
+ ~/ W" J1 i+ ~# \CD 55
9 o+ g7 a: T! n3 pStravinsky, Prokofiev, Webern
( ?: r5 u. u) |. H' I3 k& |1 f* p! N1 Q- Pollini
# I. E1 P. N/ p6 j8 ]
( L v5 b6 K: `9 P w) Y6 ]2 \. nCD 56
2 y: g: p4 G) ~4 e% [
Beethoven - Piano Sonatas: Tempest, Waldstein, Les Adieux
' f i3 I/ o }/ S0 Z; i' _- Emil Gilels
& L' m' w F; v: w- N
8 A5 V# v2 o! e1 n& t( CCD 57
: p; y& F* { e% [, n, y
Brahms - Variations and Fugue on a Theme by Handel
" J; S$ t7 c0 n% u3 _& I8 R- Barenboim
O0 O' i6 c$ ~# [- l+ V
" n6 ~) G3 t$ M6 M! ]; @6 X# ?CD 58
E# g5 ]7 o$ Y, G9 B. e* L; ]
Brahms - Ungarische Tänze, Waltzes op.39
6 Z. ?% O4 ]" d, U ^/ A9 \- Aloys & Alfons Kontarsky
- g$ {' w) F4 D
" Q9 f; z8 J3 H2 Y
CD 59
1 d1 p: R% z! V" @( z, y! G! m4 ^Chopin - Piano Sonatas nos. 2 & 3, Scherzo in C sharp minor
. K/ V8 j1 u5 E1 X4 V0 F- Martha Argerich
2 s' K: e4 w' N s5 g
' q R- s( e/ I# hCD 60
) f- a/ L" C- |" r; D) Y
Ravel, Prokofiev
8 O$ l0 v% M. I4 N4 X! J3 ?6 Y- Ivo Pogorelich
, d- V7 F( A! { i4 J( D
+ s" y# R1 j3 N" i* |. u# g! lCD 61 “Horowitz the Poet”
" U& [3 d9 X, a; T& @4 Z' \
Schumann, Schubert
. a3 O9 Q# t4 U) S- W. P( `# A- Vladimir Horowitz
6 s8 o; l: D+ i1 p( w/ s) ~7 e3 `
4 t3 I! o2 X/ [( f3 GCD 62
% @3 G7 X) y0 m$ U" ?Mozart - C minor Fantasia, Piano Sonatas K331 & K457
_2 u* X( I0 G& o' y- Maria João Pires
( y) v) A* h8 B* A. x- q1 L d
: [6 M5 L6 L; M; v1 eCD 63
! a$ `* Z! N: t% ]/ G+ B
Carnegie Hall Recital
4 B0 B4 k; [- o- Lang Lang
$ |: m8 q' O2 I& h, f% [+ T4 X' {2 f& m0 k; M2 S4 ]& a5 W
CD 64
5 z# L1 u' T7 G5 u6 B: G1 {
Carnegie Hall Recital
7 ~; S' s, l: w& ] Y- Daniil Trifonov
% O7 f( Y. i+ U5 j# K m+ w' U
% P; }4 a" ^& u; WCD 65
- D6 Q3 {* _* `7 l
Bach - French Suites BWV812-814
- M( f- R* V" w+ m1 `) _' S) v3 f$ [, t- Murray Perahia
/ |2 d5 \0 U6 h5 H4 w9 x$ q2 O# r
* x/ ?$ m1 V1 k9 O! j- a6 P
CD 66
( L, A9 }# H+ j. jSchubert - Impromptus D899, Klavierstücke D946
; @9 T. U9 r- m" i' ?
- Grigory Sokolov
& p ?* e# s3 J
4 s/ }4 k+ H8 E6 x% R, @- y# v
CD 67
9 [$ i$ d0 ]# Q3 `/ ^, ~Early Chamber Music Recordings
4 B R+ [0 y( d# X8 Z
( y, u; n7 _9 X" w" m _CD 68
* W* n7 N& ?0 j' Q$ f9 c
Schubert - Der Tod und das Mädchen, Forellenquintett
" n! L! X6 g( l7 d$ ~
- Koeckert Quartet
0 a5 l, w$ h9 c1 K, i) l, r+ o8 K
6 W' ?4 p; p! p) W2 r4 u5 GCD 69
% y( H4 ]# B* e/ N# P
Haydn - “Emperor” Quartet
/ a( W8 m! A& K7 m0 aMozart - “Hunt” Quartet
+ E" o% y: ~( c, P
- Amadeus Quartet
; u }1 Z0 D7 B9 f" s, s% z
" B9 k8 p3 L' D1 ECD 70
9 C2 E9 o: v" Y B% p
Mozart, Debussy, Ibert, Berio
' }' o8 f: n7 e, _
- Aurèle Nicolet
% L* b7 H7 B. L8 D
& J' k$ T9 H7 N% E+ F# d# ECD 71
2 ?! @/ A4 b! F; [Brahms - String Quartets nos. 1 & 3
7 k6 f. \1 r/ [5 U& jHaydn - String Quartet op.76 no.4 (unreleased)
* g6 S6 l: a H+ v/ _4 E, U
- Melos Quartet
, U; `5 q4 t( U! k V
, ^; K8 h" _: aCD 72
2 |3 K1 i: L9 R. C0 n+ C3 U
Schoenberg - Verklärte Nacht, Streichtrio
/ J h4 p0 w% h6 C- w' q1 O
- LaSalle Quartet
) U7 E- ~. D. f9 I/ s: X% D& a# e9 u$ l
0 p/ g- W+ C% iCD 73
# p+ Z; v- l- r) w, Q) yDebussy, Ravel, Webern - String Quartets
! V5 `; H8 W1 z# x6 a! \- Hagen Quartet
- I0 _! n$ K I
, n6 O( s9 Y5 _0 e
CD 74
) H0 G. _/ L! P) T
Beethoven - Rasumovsky Quartet no.3, Harp Quartet, Quartetto Serioso
! q4 K+ } n5 u$ `0 A
- Emerson Quartet
9 {% P# _1 j5 h+ z. ?+ M9 [
# R g2 f Y6 P8 cCD 75
, q5 Q( z( v# [! a8 V; Q
Brahms - Piano Quartet no.1
5 Q' t& _3 o' x$ S0 B2 }5 FSchumann - Fantasiestücke
0 N- ]) |( T. o; M, P- F# ~& p) w
- Maisky, Argerich, Kremer, Bashmet
- t* o! b9 U9 m" }$ U: _7 A' T) u: l+ m9 T* i& H
CD 76
4 P) N# w! y2 c+ ?Mozart - Piano Trios
! Z2 U# u' B7 V2 A A8 w- Mutter, Previn, Müller-Schott
/ d' A* z: b2 _% d
0 z2 `7 {( ?1 K; f1 E/ k! U0 M: c7 T) hCD 77
: f+ \- D) ^2 U5 s3 r9 aMendelssohn - Octet, Violin Concerto
: P- I% w+ h% m! t: t/ J; J, ]& J) `- u- Daniel Hope
6 X7 \: d; q; P& I j; b
) l0 p5 b3 C4 L5 {" BCD 78
+ B) ^# W: f2 f! u
Early Italian Opera Recordings
* ~/ S. S! D* T1 H% `
: n, O6 {5 X% p7 u
CD 79
% J9 s+ B% j- B; Q
Early German Opera Recordings
. k. A4 V/ A# H* d: c) \; u
/ A4 d* s4 P6 d
CD 80
1 c6 i5 }9 a# {9 n8 n5 kWeber - Der Freischütz (abridged)
! Z) ?! O6 k9 K" L- Robert Heger
5 {* u4 }2 N% i
2 w+ L* a4 E; _) |3 g' @9 ECD 81
6 v5 c+ C1 x0 |" k& VRita Streich sings Opera Arias
: W7 _$ e, R" p6 f
, m, N% \; I! l) B) _' k4 a1 S( v
CD 82-83
, R( U/ j8 l$ Q' _# \Verdi - La traviata
9 O% _" T/ H+ A4 M7 ~- S- C. Kleiber
7 u( N9 z# a4 K
! K1 d9 m. ~! L' p ?
CD 85
I) o( s: L) U C( F! e; bOpera Gala
: ]+ b7 F, F T% c4 w+ Y- Plácido Domingo
S' R- r0 n7 }/ B
. v9 I+ m: U) _/ `8 c+ I! Z
CD 85
- V" {8 w; @5 D1 {1 e' H/ h. T
Wagner
) L4 t) C1 L' ~! V
- Bryn Terfel
/ p0 y) A6 t9 W6 o5 x" j3 k
: z: b) G6 e B! f3 ]2 D! @CD 86
' p' z0 a$ g- B \" a4 IMozart - Opera Arias
) }3 m. z! X% x1 q5 S% l& ^0 }- Magdalena Kožená, Simon Rattle
" a9 m& F9 A! O) L( T! Y# b
* {9 ?' L! p6 _! |
CD 87
! ]0 S2 x% K y( D8 f& Q& E
Duets
; o( n$ e9 q) u m& k- Anna Netrebko, Rolando Villazón
# B" l8 J) `! W3 R
7 }6 _" u' n% @7 g: y) Y
CD 88
8 F! v' t# x- l# {! d' R. k5 p
Bel canto
1 I+ L5 B5 n$ n# y' k- Elīna Garanča
& F/ g! i2 p. `$ P2 N( a( f i4 C" g: o. \1 T
CD 89-90
0 J. u( I2 ^) v5 V3 l& W" d5 GHaydn - Die Schöpfung
8 ]0 D8 i$ t" b: c; k c
- Karajan
) G l7 E5 k- t; f1 E+ s
' |& [% `& P. n3 n6 }
CD 91
V+ C8 R6 e: d
Mozart - Requiem
5 V! I& g# j$ H9 U- Böhm
: s! ~$ \; H8 m7 x
; D4 a" Z: \5 q, ~7 [$ c2 FCD 92
: J( ]2 E. j) N. RBach - Magnificat, Cantata BWV 140
' g+ P6 }' K e- }, w- s" R z! I3 W- Karl Richter
+ V- w% f4 f8 [
# C3 ~, a- U: D/ ~& ?
CD 93
6 f3 i. T+ h( P7 J d
Biber - Missa Salisburgensis
8 G! ~- _$ \+ M- Paul McCreesh & Reinhard Goebel
; N( m4 ]1 p9 i0 N8 q: }- m
* F9 d! p& D& C8 }
CD 94
5 m( W @7 p% C& Q) ^9 G0 _Early Lied Recordings I
, F8 S3 J6 W- S+ w3 q+ s
9 z* A/ J# Z' x; h+ uCD 95
/ k! o9 @1 k; z: R- T7 ~Early Lied Recordings II
- J. U3 P8 T$ `1 n' J8 `& P
9 V/ x* w7 B3 M$ y+ t, T
CD 96
, {+ {7 h7 j% |# P# `$ m: vSchubert - Winterreise
* K: o4 h$ F# u- Peter Anders
- d# H% o$ a0 Z! D8 |8 Y) a
Q* e5 y5 H$ m( F$ p- ^# w
CD 97
( g+ O* p% k# H+ C$ x- OSchumann - Dichterliebe
/ r8 w; \4 \6 b: {2 c8 P' a( X- Fritz Wunderlich
h8 j7 r1 o& h+ p( t5 S2 ~
% @1 Y. L4 I* g* }* x; DCD 98
' s+ \/ o2 M5 @3 s |2 P
Schumann - Liederkreis
" J4 g- Y8 B1 { l' u3 E
Wolf - Italienisches Liederbuch, Mignon
% x' S) @0 u+ B- Christa Ludwig
& O6 [; {( d( _4 W6 y: M
# a6 U4 p1 _/ K8 _; `& N1 cCD 99
" O4 {( _; p8 G/ oSchubert - Lieder
6 K2 ?# |) @. E3 P% q$ E/ i
- Dietrich Fischer-Dieskau
E0 E+ j7 j# e
+ G# Q2 a; M9 ?8 [2 r. JCD 100
1 M; U4 @! X* \- ^" x! o8 U8 eBrahms - Lieder
" m. \( i7 a* ]/ ]- Jessye Norman
; s, M; a. G4 T: _+ J4 e
% U0 g+ l% u% n+ W4 n1 yCD 101
* O0 U* ]8 e* J. e& `1 E% P' t* u
Chaminade - Mots d’amour
+ A4 `/ s' i/ J" t" {& T5 k& y3 u
- Anne Sofie von Otter
! _; S$ N* J6 h/ |, H( j0 ~. B. z2 y; @
CD 102
* r8 h/ w- q# J, S( d z0 y# z' YBach - Schübler Chorales, Organ Sonata no.1 BWV 525
4 t8 ]0 Y3 Y+ m' a* O; s. x" L
- Helmut Walcha
/ D* c3 h9 G$ F. e. Y! E5 Y
# E8 \% E& Q9 q4 Y. j' b' `CD 103
. D1 w9 A6 w% f/ @
Handel - Utrecht Te Deum, Zadok the Priest
( x" n2 r7 Z8 ^; T; h- Geraint Jones
! K+ Q7 I4 B5 O8 D; N- } T* A$ H. i9 G6 ]; {% n5 w
CD 104
7 Z5 C9 T1 `* T0 \6 `6 Z
Music of the Gothic Era
6 v. F5 p/ ?) N1 S# w" @
- David Munrow, Early Music Consort of London
' Y( @% C2 R& _6 i
, ^2 ?) O- l* {CD 105
$ C$ S8 x6 I: @. t' i) Q0 d, R! O' G+ T
Vivaldi - Four Seasons
- |0 }- k+ N5 H/ W# B: |" M. t4 j- Simon Standage, Trevor Pinnock
8 ^# f; l1 j2 ^
9 U- W. @4 ^9 z
CD 106
" B& J5 }0 v, S# t) b5 E' x9 y1 F
Bach - Ascension Cantatas BWV 11, 34, 43, 128
( k4 g& H* }) I9 w4 K
- John Eliot Gardiner
3 s) S# n- I7 R+ _ w6 b R
! f3 W6 T! W4 r8 CCD 107
& e# b$ P0 J$ ?% h- \9 lConcerto italiano
" D0 e: x7 v {# y8 q$ d# p- Giuliano Carmignola
1 M J0 f, J z! n+ U
% J: C" D, w# l7 O* T* q
CD 108
0 ~6 v) I: ?+ t) u; n7 y0 l# k
Early Light Music Recordings
7 E3 ?& A* m* J4 r1 V
- Rudi Schuricke, Walzer Solisten
- B5 r# s; Y7 i
3 K6 c X. _- x6 Y! \/ Z
CD 109
0 ]# @4 z' a. s8 }3 g5 j) f2 Y) iMajesty of the Waltz
8 D; ?. K: ?; p. b% _9 \5 S
- Franz Marszalek
' o! l4 X" H- \7 {8 M5 e* j0 Z
4 @8 K/ A' f9 F; D( l1 T6 Y- V1 C E
CD 110
& c: D' I% A, z+ @Weihnachtsalbum
v2 v l* ~" e7 b: r& I! N) K
- Fritz Wunderlich
2 W0 y) } C) [" x' K
& L' m6 q' k, J2 v2 H. |$ S: l6 J$ OCD 111
( \$ _2 z2 H4 ^. A* H- N0 J( ?7 ?Kagel - 1898, Music for Renaissance Instruments
) p& R7 T! v# |0 |* D0 o0 x. E
9 z4 ~$ X5 Y' b0 _9 E. `, v9 o8 MCD 112
/ H9 n: r- Y5 E9 h" L
Reich - Six Pianos, Music for Mallet Instruments
- c8 Z# v M5 c
- Steve Reich
8 d- x+ X! S) [! ^8 e/ j( E( l
' r* q) f5 J. p* E- o* l3 N0 CCD 113
: K& ~1 T9 i: m) dWien Modern: Ligeti, Rihm, Boulez, Nono
3 O3 H. W5 _7 d7 c- Abbado
" J" ?. f$ G0 e5 D) p* h
; s. T+ q+ y- w' P! u. K5 ^/ fCD 114
& H" w, R3 y! I8 U; w$ NGlass - Violin Concerto
& K- y- r( f# i2 H+ B# c
- Philip Glass, Gidon Kremer
* l/ v4 D+ m; u" P2 Z0 I8 h9 J
9 j2 p8 f! V" v
CD 115
* A3 p9 Z% e: I+ N
Invisible Connections
1 _ K5 `2 q+ G( r* J
- Vangelis
# T7 d w$ Q' K$ I
; ^/ i& s* X+ h4 H
CD 116
3 K e$ M9 T! y1 t: _2 xRecomposed
7 O( {! U+ K0 G- Max Richter
; I* T* x- I E* y6 o
/ Y; w; L6 U7 z! @8 Z) N/ oCD 117
1 a; Z& ?$ C* d: r( y+ q4 m0 x
Jóhannsson - Orphée
5 s0 r) }/ I2 B% E, n [
$ h0 ^# S7 f v8 _# t* z3 V T
CD 118
8 a: S, P/ u, m2 k" gGoethe - Faust I
6 B/ v: Q3 _% e- Gustaf Gründgens
& u. ^' q, r: a4 U
) R. U8 u, U3 K" y. j# _0 f# [CD 119
3 {1 D/ M9 T2 u X3 e j) f6 rGoethe - Faust II
( n9 r" R u" K; N3 ?0 m# g$ l# [8 K- Gustaf Gründgens
$ I" |& r! l& m$ S( x# p! p- _. \& L' f& p& W) K1 N U
CD 120
], [& ]2 U( e; ?- m, O1 Q2 Z# Z
Prokofiev - Peter and the Wolf
4 h3 F( ?4 R9 f" A0 M; x, D- Sting, Abbado
9 K" w6 F5 Q; l: O2 }" @! r5 E8 p
CD 121
( W" d K# J) B8 Q3 W( u# [+ r: p"The years to come": Bonus CD with brand-new unreleased recordings
' \+ l$ @4 \ e! g) D, \4 S1 j
. m) H$ U/ p g. N& f( W1 v, B" D1 QDisc 122 (Blu-ray Audio)
+ B, q5 N8 r: {2 I: U% I& [. y
Wagner - Der Ring des Nibelungen
/ `4 Q) X6 z3 k3 e9 G5 i- Karajan
" S& Z5 r- t* W8 l3 X
/ A9 G+ g4 Y2 U博客來購買連結：https://www.books.com.tw/products/0020208173: W1 e* Q" r: g6 q$ j
; P, V- x0 V6 D* F7 Z5 g
進口代理：環球音樂
收藏
分享
支持
反對
