MA ON SA精品測試碟

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9 ^0 m5 z& U; n; {MA ON SA  MA 3小時精品測試碟  這張專輯是MA公司超長時間精選，共3小時(SACD層108分鐘，CD層73分鐘，曲目不同)。這張CD的價值有三：一、M.A唱片全部都是現場收音，而且使用的錄音器材極其簡單，可以拾取最自然的現場堂音空間感，以及最纯的樂器音質音色。二、M .A的錄音極容易被音響系统扭曲，因為它没加料，也不誇張，所以許多不平衡的音響系统會覺得不好聽。三、無論是樂器的演奏質感或人聲都很真實。基于這三 個原因，這張CD成為很好的測試CD。其實封面就是他們在錄音時所使用的二支無指向性麥克風。這張CD市面上已找不到片子，近日終於聽到MA ON   SA。

( J& G1 F5 o6 |" l. v% l這忘進到找ˇ長張
+ g5 H( ~* a% i. x4 ?5 Y4 `, S專輯曲目：
SACD層：
: U) j& Z& t, ^$ t$ H2 [$ mTrack 1) M070A/Gitana, from "llama" by Silvia Perez Cruz & Ravid Goldschmidt: 88.2 kHz
Track 2) M071A/Improvisation on a Love Song, from "A Night in Budapest" by Kalman Olah and Friends: 88.2 kHz
0 }+ V( h: x, S+ Z+ uTrack 3) M071A/Improvisation on a Love Song, from "A Night in Budapest" by Kalman Olah and Friends: 88.2 kHz
Track 4) M062A/Taquito Militar, from "La Segunda" by Sera Una Noche: 176.4 kHz
Track 5) M069A/Prelude - Allemande - Sarabande, from Suite en La mineur, by Marin Marais, performed by Andrea De Carlo: 176.4 kHz
: f6 T6 I5 Y3 p$ j& RTrack 6) M068A/Variaciones sobre el "Carnaval de Venecia" de Niccolo Paganini by F. Tarrega, performed by Gzegorz Krawiez: 96 kHz
# i; [( j; ?' v6 Z8 XTrack 7) M049A/Passos, from "Almas" by Joao Paolo: 96 kHz
  {) N2 |- N9 c$ Y$ ~+ G, s, B7 [Track 8) M044A/Ajde da li znaes pametis Milice, from "Krushevo" by Vlatko Stefanovski & Miroslav Tadic: 96 kHz
4 U: E$ b" @6 P( _% e. V5 lTrack 9) M052A/Malena, from "Sera una Noche" by Sera Una Noche: 96 kHz
Track 10) M045A/Certeza, from "O Exilio" by Joao Paolo: 96 kHz
( Q. l* [7 y, [" aTrack 11) M046A/Meu Amor deu um Lenco, from "Senhora da Lapa" by Maria Ana Bobone: 96 kHz
. |$ G  }) p: p+ ^+ q( |' JTrack 12) M026A/Murakkaz Ah Ya Muddasin, from "The Splendour of Al Andalus" by Calamus: 96 kHz
Track 13) M025A/Noche Maravillosa, from "Salterio" by Begona Olavide: 96 kHz
& D' j3 X$ Z9 v' Y- s7 Y$ [0 @: nTrack 14) M043A/Terra Da Esperanca Perdida, from "Sete Ondas" by Mauro Refosco: 96 kHz
Track 15) M058A/Vitamin C, from "Old School" by Peter Epstein: 96 kHz
Track 16) M029A/Jovano Jovanke, from "Old Country" by Miroslav Tadic & Howard Levy: 96 kHz
Track 17) M057A/Esquina, from "Esquina" by Joao Paolo & Peter Epstein: 96 kHz
1 b3 a5 \* P: m1 l- NTrack 18) M047A/Solace from "Solus" by Peter Epstein: 96 kHz
Track 19) Chopin's Berceuse, performed by Gabriella Kafer at Belvarosi Szent Mihaly Templom, Budapest: 88.2 kHz (no release date for this recording)
* Q# C$ G9 D8 M( P: V2 x' a4 w) Q  ?[size=-1]
( Z5 x! e2 `3 u" ECD層：
3 I* G4 }+ D+ ]& x" S9 g5 KTrack 1) M054A Bach: Prelude and Partita in E minor performed by Eduardo Eguez
7 Q: L. E+ y+ RTrack 2) M063A Voglio de vita uscir from “Bueros Aires Madrigal” by La Chimera
6 C5 x+ S+ Y9 ]3 LTrack 3) M061A Green Waist Dance Music from “Voice of the Papa” by Jiang Ting
) u7 g. L' V9 y/ ETrack 4) M060A Balanceanca Sofie Vicovcanca from “Departe de Casa” by Formatia Valea Mare
Track 5) M064A Visee: Allemande grave from Suite in F played by Eduardo Eguez
Track 6) M039A Bobone: Leve Breve Suave from “Luz Destino”
Track 7) M042A La Manana de San Juan from “Mudejar”
1 G! T% Z' r2 p5 e( Q; C, lTrack 8) M048A Victimare Paschali Laudes from “Sous Les, Le Serpent….”
Track 9) M027A Calcinatio Auri from “Still Light”
* {. r. F9 B  n; F+ p% Z: G. CTrack 10) M041A In Your Voice from “Staring at the Sun”
% }$ J+ F6 s. ]Track 11) M055A Forro En Curuipe from “Music Journal”
Track 12) M065A Trio Inprovison from “Contrast + Parallels” by the Kalman Olah Trio
' v9 r$ P% L( O$ r1 ETrack 13) M053A Bach: Prelude in E flat Major from “Lute Music of J.S. Bach Vol. 1” performed by Eduardo Eguez[size=-1]
7 h8 H/ I3 x' ]! [  \6 G3 e專輯非常非常精彩，算是MA公司的「」了吧。一張專輯總共三小時(因SACD層和很CD層是不同曲目)，
這張專輯非常非常精彩，算是MA公司的「了吧。一張專輯總共三小時(因SACD層和CD層是不同曲目)，
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